154 A Painter's Views on Painting Giotto There are few modern painters who are not greater technically than Giotto,-but I cannot call to mind a single one whose work impresses me as profoundly as his does. How is it that our so greatly better should be so greatly worseŚ that the farther we go beyond him the higher he stands above us ? Time no doubt has much to do with it, for, great as Giotto was, there are painters of to-day not less so, if they only dared express themselves as frankly and unaffectedly as he did. Early Art The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the know- ledge of good and evil it is stronger, but we care less about it. Sincerity It is not enough that the painter should make the spectator feel what he meant him to feel; he must also make him feel that this feeling was shared by the painter himself bona fide and without affectation. Of all the lies a painter can tell the worst is saying that he likes what he does not like. But the poor wretch seldom knows himself; for the art of knowing what gives him pleasure has been so neglected that it has been lost to all but a very few. The old Italians knew well enough what they liked and were as children in saying it.